


Working initially as a painter, Stipl has recently turned to making sculpture. Using himself as a model, Richard focuses exhaustively on the indefinite nature and moment-to-moment paradoxes inherent in the act of continuously recreating oneself throughout the course of a lifetime. Characteristically, Stipl’s paintings and sculptural works alike force us to reconsider the role of boundaries and consequent categories of choice that comprise contemporary attitudes and approaches to art-making and art-consumption.
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